By Jenny Lee
There are days when I don’t consider myself a feminist. Just as the golden days of classical rock cannot return, I sometimes feel that it is too late for me to become a true-blue feminist. As a modern-day individual, the term “feminist” needs an further explanation – am I a third-wave feminist, a post-feminist, a post-modern feminist, an Asian feminist, or an individualist feminist?
Despite such doubts, I – being a proud Fabulous Feminist Friend – pushed my friends into going to the Vagina Monologues with me. Having dutifully attended last year’s performance, I was all alight with expectations of what I assured them would be an amazing experience. The show proved to be as popular as last year’s, at least: it was hard for a trio to find a place to squeeze together! The curtain lifted at last, and I contracted into a mere being of two eyes, a mouth, and a beating heart throughout the panorama of narratives of sex, love, rape, menstruation, mutilation, masturbation, birth, and orgasm.
Even as the show made me chuckle and smile, as I felt uncomfortable and stunned, I realized one thing: the red, pulsating, raw, vagina that revealed itself to the audience in each story was not only a physical part of the female body but a representation of womanhood, both vulnerable and vital. Every year a new monologue is added to highlight a current issue affecting women around the world. This year, the narrative of comfort women was brought to light, a story that brought me to actual tears (I who didn’t cry even while watching Titanic) in part because I could have been any one of the victimized “comfort women,” had I lived fifty years ago. At the end of every show the performers ask how many people know survivors of sexual assault or violation, then how many are willing to help the fight to end violence against women and girls; it was a moving sight to see each and every one in the audience come together as a whole not only in spectatorship but also in action.
There are critics far and wide who disparage the show, and their opinions are not without logic. However, I personally feel that Eve Ensler’s goal to “celebrate the vagina,” and later to “start a movement to stop violence against women,” has been achieved simply by beginning a discussion of vaginas, by throwing the vagina into the public sphere which no one has done before as she has done, by creating a ripple that is continuously spreading out onto the social consciousness – and this indeed is no simple task.